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Great Discussion Denis!
I could be wrong, but what I think he meant was thumbing ones nose as conformity... playing 'outside' the lines, not allowing himself to be pigeon holed. Following his heart, no matter, or inspite of what the masses expected/wanted. Having his own voice, at all times. All this musically speaking, of course!
Ok Bev. That's more like what I thought (-:
Thanks for putting it so clearly.
He sure was that.
Denis
Bev Getz said:Great Discussion Denis!
I could be wrong, but what I think he meant was thumbing ones nose as conformity... playing 'outside' the lines, not allowing himself to be pigeon holed. Following his heart, no matter, or inspite of what the masses expected/wanted. Having his own voice, at all times. All this musically speaking, of course!
Another quote:
"You know, when I'm playing, I think of myself in front of the Wailing Wall with a saxophone in my hands, and I'm davening, I'm really telling it to the Wall." - Stan Getz
A religious experience for Stan ?
Maybe ?
This is around the time Stan went to Israel.
By the way a DVD of that trip is available.
Denis
" The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. The challenge is to sing on an imperfect instrument that is outside of your body. " (Stan Getz)
" A good quartet is like a good conversation among friends interacting to each other's ideas. " (Stan Getz)
A few hours before posting, a thought occurred to me about Mr. Getz's quality of "irreverence." It indeed is a forward-looking concept, for if jazz links to religion, a jazz pioneer would certainly question the complacency of a theologian. As Slavoj Zizek once said when writing to an imprisoned Russian female musician, "Even though an atheist, you'll be in my prayers."
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