Hi friends - I've gone through some pretty heavy stuff these past couple months. One song that always gets me through is Stan's 60s remake of Early Autumn. It's all in there - love, sadness, beauty. Literally makes my heart swell. I love how you can hear his fingers hit the pads from the very beginning...
Credits:
Stan Getz / Lalo Schifrin Stan Getz (ts) George Devens (vib)
Kenny Burrell (g) George Duvivier (b) Joe Hunt (d) Lalo Schifrin
(cnd, arr) Choir, Percussions
Tracklist:
01 Moonlight In Vermont
02 If Ever I Would Leave You
03 Love
04 Reflections
05 Sleeping Bee
06 Charade
07 Early Autumn
08 Penthouse Serenade
09 Spring Can Really Hang You Up The Most
10 Nitetime Street
11 Blowin' In The Wind
"I've owned this controversial album for years and have always
enjoyed it. The arrangements are interesting, with alot (sometimes
too much) back-up from vocals and strings. However, it seems to
me that Stan Getz puts more into his playing on this disc than he
does on the formulaic bossa nova albums of the same period.
Worth the small price just to hear Stan's version of "Blowing in
the Wind""
"This was a demonstration that Stan Getz refused to be boxed
into any one area of music and for that he deserves tons of credit.
Whether it was lilting bossa-nova or unique classically-infused
outings like the brilliant "Focus", Stan was indeed taking risks. On
"Reflections", he goes for a more commercial pop angle and
succeeds about half the time, not because of his playing so much
as Claus Ogerman's arrangements which can range to very
thoughtful and colorful to outright schlock that gets
DANGEROUSLY close to Ray Conniff Singers territory. The real
gems include "Moonlight In Vermont" with its sweeping
arrangement, "Love" with its fiery percolating Latin rhythms and
Stan just letting loose, "Spring Can Hang You Up The Most" and
" Nitetime Street" are real highlights too with tastefully swinging
arrangements. "Charade" is a better than average Bossa tune and
"Penthouse Serenade" is a real ear opener with its tricky 6/8
heavily syncopated meter and Stan just coloring it like an expert
painter. The rest of the album goes more than a little saccharine
and as much as I"ve tried I just CANNOT GET BEHIND this
schlock-treatment of Bob Dylan's "Blowin' In The Wind", it just
does not work! [at least for me] "A Sleeping Bee" is just too bogged down in Ray
Conniff-esque vocal choruses to be listenable, ARRRRRRGH!"